What's the grammatical function of "available to him" in the following sentence? "The analyst has available to him all the facts, he will be judged on his intellectual power."
A.predicate
B.attribute
C.adverbial
D.complement
A.predicate
B.attribute
C.adverbial
D.complement
第1题
A、Predicate
B、Attribute
C、Adverbial
D、Object
第3题
A.Gender.
B.Number.
C.Case.
D.Voice.
第4题
A. L1 was maintained as the reference system in the acquisition of L2.
B. L2 was maintained as the reference system in the acquisition of L1.
C. Latin was maintained as the reference system in the acquisition of L2.
D. Latin was maintained as the reference system in the acquisition of L1.
第5题
A.L1 was maintained as the reference system in the acquisition of L2.
B.L2 was maintained as the reference system in the acquisition of L1.
C.Latin was maintained as the reference system in the acquisition of L2.
D.Latin was maintained as the reference system in the acquisition of L1.
第7题
A.To provide e-mail and the Internet service.
B.To work as a basic program for Pc.
C.To dominate the world market.
D.To run some specific applications.
第8题
A.Has the theory of musical codes inherent to musical composition allowed us to incorporate cultural contexts in criticism?
B.Does the notion that gender metaphors are functions of interpretational frameworks carry any shortcomings?
C.Does McClary's theory of the immanence of gender in musical codes carry any sort of risk?
D.What are the substantive differences between the ways that Roman and Gregorian musical chants employ gender codes?
E.In which musical forms, besides late-nineteenth-century-opera, has gender difference in musical codes been observed?
第9题
A.Has the theory of musical codes inherent to musical composition allowed us to incorporate cultural contexts in criticism?
B.Does the notion that gender metaphors are functions of interpretational frameworks carry any shortcomings?
C.Does McClary's theory of the immanence of gender in musical codes carry any sort of risk?
D.What are the substantive differences between the ways that Roman and Gregorian musical chants employ gender codes?
E.In which musical forms, besides late-nineteenth-century-opera, has gender difference in musical codes been observed?
第10题
A.Has the theory of musical codes inherent to musical composition allowed us to incorporate cultural contexts in criticism?
B.Does the notion that gender metaphors are functions of interpretational frameworks carry any shortcomings?
C.Does McClary's theory of the immanence of gender in musical codes carry any sort of risk?
D.What are the substantive differences between the ways that Roman and Gregorian musical chants employ gender codes?
E.In which musical forms, besides late-nineteenth-century-opera, has gender difference in musical codes been observed?
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