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History of Lion Dancing – Chinese Folklore Lion da...

History of Lion Dancing – Chinese Folklore Lion dancing is a traditional folk performance in China with a history of more than 2,000 years. In the dancing, two performers share the same costume and wave the part of its head, body and tail respectively. They imitate various gestures of lions through perfect cooperation. Lions, the king of animals, symbolize happiness and good luck, so people usually perform lion dancing in the Spring Festival and other festivals and holidays. Lion dancing can be also seen in other important occasions such as the opening ceremony of shops and stores and weddings, which often attracts so many audience. The lion dance originated in China more than two thousand years ago. The lion is traditionally regarded as a guardian creature. It is featured in Buddhist lore, being the mount of Manjusri. Chinese lion dances can be broadly categorized into two major styles, Northern and Southern. Northern dance was used as entertainment for the imperial court. The northern lion is usually red, orange, and yellow, shaggy in appearance, with a golden head. The northern dance is acrobatic and is mainly performed as entertainment. Southern dance is more symbolic. It is usually performed as a ceremony to exorcise evil spirits and o summon luck and fortune. The southern lion exhibits a wide variety of color and has a distinctive head with large eyes, a mirror on the forehead, and a single horn at he center of the head. The lion dance is often confused with the Chinese dragon dance, which features a team of around ten or more dancers. The lion dance is usually performed by two people.

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第1题

----May I have the ____ of dancing with you, Madame?

----Yes, of course.

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第2题

----May I have the ____ of dancing with you, Madame?

----Yes, of course.

A pleasure B joy C right D desire

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第3题

The table before which we sit may be, as the scientist maintains, composed of dancing atoms, but it does not reveal itself to us as anything of the kind, and it is not with dancing atoms but a solid and motionless object that we live.

So remote is this "real" table—and most of the other "realities" with which science deals—that it cannot be discussed in terms which have any human value, and though it may receive out purely intellectual credence it cannot be woven into the pattern of life as it is led, in contradistinction to life as we attempt to think about it. Vibrations in the either are so totally unlike, let us say, the color purple that the gulf between them cannot be bridged, and they are, to all intents and purposes, not one but two separate things of which the second and less "real" must be the most significant for us. And just as the sensation which has led us to attribute an objective reality to a non-existent thing which we call "purple" is more important for human life than the conception of vibrations of a certain frequency, so too the belief in God, however ill founded, has been more important in the life of man than the germ theory of decay, however true the latter may be.

We may, if we like, speak of consequence, as certain mystics love to do, of the different levels or orders of truth. We may adopt what is essentially a Platonist trick of thought and insist upon postulating the existence of external realities which correspond to the needs and modes of human feeling and which, so we may insist, have their being is some part of the universe unreachable by science. But to do so is to make an unwarrantable assumption and to be guilty of the metaphysical fallacy of failing to distinguish between a truth of feeling and that other sort of truth which is described as a "truth of correspondence," and it is better perhaps, at least for those of us who have grown up in an age of scientific thought, to steer clear of such confusions and to rest content with the admission that, though the universe with which science deals is the real universe, yet we do not and cannot have any but fleeting and imperfect contacts with it; that the most important part of our lives-our sensations, emotions, desires, and aspirations-takes place in a universe of illusions which science can attenuate or destroy, but which it is powerless to enrich.

According to this passage, a scientist would conceive of a "table" as being______.

A.a solid motionless object

B.certain characteristic vibrations in "ether"

C.a form. fixed in space and time

D.a mass of atoms on motion

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第4题

Which part of dancing occupies the second important position in ice dancing?

A.Compulsories dance.

B.Original dance.

C.Free dance.

D.Snow dancing.

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第5题

-- May I have the ______ of dancing with you, Madame?-- Yes, of course.

A.pleasure

B.joy

C.right

D.desire

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第6题

The initiation of viral video is the infamous Dancing Baby, which surfaced in 1996.

A.Y

B.N

C.NG

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第7题

May I have the ______ of dancing with you?
A.delight

B.pleasure

C.approval

D.agreement

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第8题

If your child is very fond of dancing, you may take your child to ______ .

A.China National Art Museum

B.Beijing Concert Hall

C.Beizhan Theatre

D.Wusi Dajie

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