题目内容
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1 If Johnny can't write, one of the reasons may be conditioning based on speed rather tha
2 This is not to minimize the value of genuine facility. With years of practice, a man may be able to put down words swiftly and expertly. But it is the same kind of swiftness that enables a cellist, after having invested years of efforts, to negotiate an intricate passage from Haydn. Speed writing is for stenographers and court reporters, not for anyone who wants to use language with precision and distinction.
3 Thomas Mann was not ashamed to admit that he would often take a full day to write 500 words, and another day to edit them, out of respect for the most difficult art in the world. Flaubert would ponder a paragraph for hours. Did it say what he wanted it to say— not approximately but exactly？ Did the words turn into one another with proper rhythm and grace？ Were they artistically and securely fitted together？ These questions are relevant not only for the established novelist but for anyone who attaches value to words as a medium of expression and communication.
4 E.B. White, whose respect for the environment of good writing is exceeded by no word-artist of our time, would rather have his fingers cut off than to be guilty of handling words lightly. No sculptor chipping away at a granite block in order to produce a delicate curve or feature has labored more painstakingly than White in fashioning a short paragraph. Obviously, we can't expect our schools to make every Johnny into a White or Flaubert or a Mann, but it is not unreasonable to expect more of them to provide the conditions that promote clear, careful, competent expression. Certainly the cumulative effort of the school experience should not have to be undone in later years.
According to the passage, competence in writing is _______________.
A．an art that takes practice
B．a skill that requires dexterity
C．a technique that is easy to learn
D．a result of the spontaneous flow of words
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